Las mujeres del teatro de Miguel Hernández: construcción dramatúrgica del personaje

Virtudes Serrano García

Resumen


This paper pays attention to an aspect in the drama of Miguel Hernández that has so far not been the subject of much analysis. Here the dramaturgical analysis of his female characters is made bearing in mind the world view of the poetplaywright in two aspects: one based on his personal experience, and the other deriving from the literary tradition he assimilated. This double vision leads him to the building of a feminine typology of archetypal behaviours determined by a canonically patriarchal world view, and qualified by the characters of the literary heroines stemming from the playwright's reading. The result is the fiancées/wives, sisters an mothers, women defending the honour that would be taken from them by force, or beloved women whose resistance makes their ardent lovers suffer. However, in En Labrador de más aire there is a feminine character that is spontaneous and authentic in her emotions, and whom the author hes endowed with an outspoken vehement nature.

Texto completo:

PDF


DOI: http://dx.doi.org/10.18002/ehf.v0i18.4077

Enlaces refback

  • No hay ningún enlace refback.




Copyright (c) 1996 Virtudes Serrano García

Licencia de Creative Commons
Este obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0 Internacional.

Estudios Humanísticos. Filología

Contacto: estudioshumanisticosfilologia@unileon.es

Soporte técnico: journals@unileon.es

Diseño de portada: María Sonsoles Ortiz de Urbina

I.S.S.N. 0213-1382 (Ed. impresa)
e-I.S.S.N 2444-023X

Editada por el Área de Publicaciones de la Universidad de León