Review of Anko Itosu. The Man. The Master. The Myth. Biography of a Legend, by Thomas Feldmann
DOI:
https://doi.org/10.18002/rama.v17i1.7279Keywords:
Martial arts, combat sports, karate, Japanese martial arts, history, Okinawa, biographyAgencies:
Margarita Salas - UAB, Spanish Ministry of Universities, European Union - NextGenerationEU, GREAL-UABAbstract
This review considers the book Anko Itosu. The Man. The Master. The Myth. Biography of a Legend, published in 2021 by Thomas Feldmann. The volume is a thorough biographical study of Anko Itosu (1831–1915), Okinawan born and essential figure to interpret initial developments of karate history during the 20th century. Approximately two decades before this indigenous martial art was to be popularized in mainland Japan by Funakoshi Gichin (1868–1957) and Mabuni Kenwa (1889–1952), and officially recognized by the Dainippon Butokukai [Greater Japan Martial Arts Virtue Society] (1933), Itosu consolidated important technical and discursive changes for karate. This novel way to practice and describe karate, still molding the perception of the art today, had the intention, among others, to further support its inclusion in the school system of Okinawa. Using a huge amount of written and oral sources, historical documents, and scholarly studies on Okinawa, this text offers a vivid picture of Itosu's life. In a manner unusual among the publications on the topic, the text not only explores the early days of modern karate through the existential vicissitudes of the master, but even more importantly it does so against the background of how the cultural, social, and political life was articulated in Okinawa at the time. Such a remarkable effort bears a value that should not go unnoticed among martial arts researchers and the interested reader alike.Downloads
Métricas alternativas
References
Feldmann, T. (2021). Ankō Itosu. The Man. The Master. The Myth. Biography of a Legend. Lulu Press.
Funakoshi, G. (1975). Karate-do: My way of life. Kodansha International.
González de la Fuente, E. (2021). In which Ways is Karate(dō) Japanese? A Consideration on Cultural Images of Bushidō and Nihonjinron in the Postwar Globalization of Martial Arts. Journal of Inter-Regional Studies: Regional and Global Perspectives, 4, 15-30.
Johnson, N. C. (2012). The Japanization of Karate?: Placing an Intangible Cultural Practice. Journal of Contemporary Anthropology, 3(1), 60-78.
Meyer, S. (2008). In Defense of ‘Invented Traditions’: The History of Okinawa as Portrayed in Narratives of Karate. Silva Iaponicarum, 15(1), 11-32.
Stevens, J. (1995). Three budo masters: Jigoro Kano (judo), Gichin Funakoshi (karate), Morihei Ueshiba (aikido). Kodansha International.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Eduardo Gonzalez de la Fuente
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors who publish in this journal must agree to the following terms:
- The authors grant on a nonexclusive basis the exploitation rights (reproduction, distribution, public communication and transformation) of the work accepted for publication to the University of León. The authors can establish, on their own, additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, placing it in an institutional repository or publishing it in a book), always acknowledging the initial publication in this journal.
- This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Click to see basic information and the legal text of the license.
- The authors are allowed and encouraged to disseminate electronically pre-print or post-print versions of their work before publication, as this can give rise to productive exchanges, as well as earlier and increased citing of the works published.