No. 21 (2022)

View No. 21 (2022)

DOI: https://doi.org/10.18002/da.i21

Published: 2022-11-30

Full Issue

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Artículos

Lust and music in The Seven Deadly Sins and the Four Last Things at the Museo Nacional del Prado in Madrid

Grzegorz Kubies

9-28
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Following the gouges of Alonso Berruguete in Salamanca's city

Alba Rebollar Antúnez

29-40
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Mendoza; Mondéjar; Rafaela Villalverche; María de Mendoza; Íñigo López de Mendoza; Music in the Early Modern Age; Renaissance; History of Women; Ladies Mendoza; ambassadors of Philip II.

Esther Galera Mendoza

41-66
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The The dowry letter of Juana Millán. A beneficial marriage for the painter Cristóbal García Salmerón (1603-1673)

Sonia Casal Valencia

67-80
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The The marking of silver in Santiago de Compostela in the nineteenth century: documents, marks and markers

Ana Pérez Varela

81-98
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About two sets of jewels with micromosaics and brilliants commissioned by Ferdinand VII in 1818 and its later evolution

Nuria Lázaro Milla

99-110
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Sorolla and Classical sculpture: An approximation through his drawings following classical sculptures.

José Fenoll Cascales

111-124
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An (un) justified absence in historiography and the silences of the archive: Lodovico Pogliaghi’s Beato don Bosco (1929)

Ana Martín García

125-140
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Henri Michaux and the double in his painting

Valeria Biondi

141-155
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The Historicization of the Work by Women Artists through Exhibitions: the Case of the Body Tendency of the Nineties in the Basque Context

Maite Luengo Aguirre

157-171
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Recensiones

Book reviews

María Dolores Teijeira Pablos

173-194
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