Retracing the Gothic Romance: Instances of Transtextuality in Gaston Leroux’s Le fantôme de l’opéra and Alejandro Amenábar’s Abre los ojos

Marta Miquel Baldellou

doi:10.18002/ehf.i45.7706

Autores/as

Marta Miquel Baldellou Universidad de Lleida

DOI:

https://doi.org/10.18002/ehf.i45.7706

Palabras clave:

tradición gótica, héroe byroniano, el doble, máscara, metaliteratura

Resumen

Este artículo tiene como objetivo ofrecer un análisis comparativo entre la novela Le fantôme de l’opéra (1910) de Gaston Leroux y la película Abre los ojos (1997) de Alejandro Amenábar en el que se interpretará el largometraje de Amenábar como una adaptación postmoderna de la novela original de Leroux. También se identificarán aquellos rasgos propios de la tradición gótica y del relato romántico decimonónico reflejados en la aproximación modernista de Leroux y reinterpretados en el largometraje postmoderno de Amenábar en base a la noción de transtextualidad.

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