La iconografía de Trifonte en el gótico final en los reinos de León y Castilla

Autores

  • María Dolores Teijeira Pablos

DOI:

https://doi.org/10.18002/ehgha.v0i13.6855

Palavras-chave:

Iconografía profana, sillerías de coro, gótico final

Resumo

The three-faces man, a very common subject in gothic works of art from the late fifteenth century, combines the interest in pure ornamentation with a simbolism that is based on the relation profane-religious iconography, in the field of the discoveries of new Lands and the representation of fantastic creatures.

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Publicado

1991-12-01

Edição

Seção

Estudios

Como Citar

La iconografía de Trifonte en el gótico final en los reinos de León y Castilla. (1991). Estudios humanísticos. Geografía, Historia Y Arte, 13, 287-293. https://doi.org/10.18002/ehgha.v0i13.6855