La iconografía de Trifonte en el gótico final en los reinos de León y Castilla
DOI:
https://doi.org/10.18002/ehgha.v0i13.6855Palavras-chave:
Iconografía profana, sillerías de coro, gótico finalResumo
The three-faces man, a very common subject in gothic works of art from the late fifteenth century, combines the interest in pure ornamentation with a simbolism that is based on the relation profane-religious iconography, in the field of the discoveries of new Lands and the representation of fantastic creatures.Downloads
Downloads
Publicado
Edição
Seção
Como Citar
Licença
Copyright (c) 1991 María Dolores Teijeira Pablos

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.