Taijiquan, genius loci and tourism: a participant observation about Chenjiagou

Authors

  • Sergio Raimondo Universita' di Cassino e del Lazio Meridionale http://orcid.org/0000-0003-4413-3158
  • Laura Rea Independent scholar and free translator
  • Yong-shun Wang National Huaqiao University

DOI:

https://doi.org/10.18002/rama.v17i1.7029

Keywords:

Martial arts, tai chi, tourism, cultural tourism, UNESCO, intangible cultural heritage

Abstract

This essay analyses the key concepts enunciated by the international literature on martial arts tourism – and of the even broader category of cultural tourism. It combines notes produced by a participant observation and the images produced by the first author himself. The result is the illustration of a particular case of martial arts tourism included in the decade 2009-2018 and focused on Chenjiagou (Chen village), a village in inland China (Wen county, Henan province, People's Republic of China). Here tourists – attracted by the peculiar spirit of the place, genius loci, expressed in the landscape and in the local customs and reinforced by recurring or occasional celebrations – are contributing to the local economic development and urban improvement, by creating an informal planetary-scale network through the common interest in the martial art of taijiquan.

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Published

2022-02-14

How to Cite

Raimondo, S., Rea, L., & Wang, Y.- shun. (2022). Taijiquan, genius loci and tourism: a participant observation about Chenjiagou. Revista de Artes Marciales Asiáticas, 17(1), 50–72. https://doi.org/10.18002/rama.v17i1.7029

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