The Image of Chinese Art of the Ming Dynasty in the Spanish Context in the Exhibition "Art and Culture around 1492"
DOI:
https://doi.org/10.18002/sin.v15i2.7466Keywords:
Spain; Exhibition; Chinese art of the Ming Dynasty; image construction.Abstract
To commemorate the 500th anniversary of Columbus' discovery of the American New World, the Seville Expo’ 92 held an exhibition entitled "Art and Culture about 1492", which presented 15th century artworks from all over the world. This essay will analyze the exhibition's background, purpose, data on the works exhibited, and the theme of the exhibition, combining statistical and image analysis methods, and then investigate the absence of the image of Chinese Ming art generated by the exhibition's discourse. By comparing the literature on the history of Chinese Ming art with the works in the exhibition, it is clear that the image of Chinese art constructed by the exhibition actually lacks individual art forms that were painted with fine brushwork, such as Yuanti paintings, folk wall paintings and woodcut prints. These paintings, however, actually occupied an important status in the artistic landscape of the Ming dynasty. It is hoped that this study will help to establish and correct the absence and deficiencies in the identity of Chinese Ming art constructed by the exhibition in the Spanish context.
Downloads
Métricas alternativas
![La imagen del arte chino de la dinastía Ming en el contexto español por la exposición “Arte y cultura en torno a 1492”](https://revistas.unileon.es/ojs/public/journals/21/article_7466_cover_es_ES.jpg)
Downloads
Published
Versions
- 2024-03-06 (2)
- 2022-12-22 (1)
How to Cite
Issue
Section
License
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Sinología Hispánica. China Studies Review considers all manuscripts on the strict condition that:
- The authors assign the exploitation rights (reproduction, distribution, public communication and transformation) of the work accepted for publication to the University of León on a non-exclusive basis. Authors can establish, on their own, additional agreements for the non-exclusive distribution of the version of the work published in the journal (for example, placing it in an institutional repository or publishing it in a book), always acknowledging the initial publication. in this magazine.
- The manuscript is your own original work and does not duplicate any other previously published work, including your own previously published work.
- The manuscript is not currently under consideration or peer review, nor accepted for publication, nor in press, nor published elsewhere.
- The manuscript contains nothing that is abusive, defamatory, libellous, obscene, fraudulent, or illegal.
- Please note that Sinologia Hispanica uses Turnitin software to screen manuscripts for unoriginal material. By submitting your manuscript to Sinologia Hispanica you are agreeing to any necessary originality checks your manuscript may have to undergo during the peer-review and production processes. Any author who fails to adhere to the above conditions will be rejected.
- Authors are allowed and encouraged to electronically disseminate the pre-printed versions (version before being evaluated) and / or post-printing (version evaluated and accepted for publication) of their works before publication, since it favors their circulation and dissemination more early and with it, a possible increase in its citation and reach among the academic community.
Sinologia Hispanica is under an international license Creative Commons Attribution-Noncommercial-Share Alike 4.0. You can read more about this license in an informative version and legal text.