Casilda de Antón del Olmet: mother, death and desidentity

Abstract

The Spanish female poets of the twentieth century must be rescued from oblivion to which criticism has subjected them by action or omission. This proposal is presented to continue to know the constructions, dimensions, and limits of the maternal poetic trope of Casilda de Antón del Olmet and López de Haro, in their poem “Maternidad”, from their Cien sonetos. This simple text deserves a sociolinguistic analysis, given that they are part of the heritage of Spanish history and poetry. It presents an approach to the category of "disidentity of women", like compression of identity from the systems of social inheritance, the elements that constitute it, and the historical memory.