La iconografía de Trifonte en el gótico final en los reinos de León y Castilla

Authors

  • María Dolores Teijeira Pablos

DOI:

https://doi.org/10.18002/ehgha.v0i13.6855

Keywords:

Iconografía profana, sillerías de coro, gótico final

Abstract

The three-faces man, a very common subject in gothic works of art from the late fifteenth century, combines the interest in pure ornamentation with a simbolism that is based on the relation profane-religious iconography, in the field of the discoveries of new Lands and the representation of fantastic creatures.

Downloads

Download data is not yet available.

Published

1991-12-01

How to Cite

Teijeira Pablos, M. D. (1991). La iconografía de Trifonte en el gótico final en los reinos de León y Castilla. Estudios humanísticos. Geografía, historia y arte, (13), 287–293. https://doi.org/10.18002/ehgha.v0i13.6855

Issue

Section

Estudios