An archetypal analysis of Katniss Everdeen from The Hunger Games

Autores

  • Maya Zalbidea Paniagua Universidad Complutense de Madrid - España

DOI:

https://doi.org/10.18002/cg.v0i16.6932

Palavras-chave:

comparative literature, myth criticism, gender theory, feminism, psychoanalysis

Entidades:

UNIVERSIDAD COMPLUTENSE DE MADRID

Resumo

Suzanne Collins’ The Hunger Games trilogy invites to reflect on the exchange of gender roles metaphorically performed by a female and male protagonists who play the warrior as well as the family protector roles. From a myth-critical theoretical framework and applying psychoanalysis in literature methodology, this article will provide a feminist analysis of The Hunger Games trilogy (2008-2020) focusing on how the protagonists, Katniss Everdeen and Peeta Mellark, deconstruct gender stereotypes. Peeta Mellark will be regarded as a future man who supports gender equality while Katniss Everdeen will be considered a representation of goddesses’ archetypes applying Carl Gustav Jung’s (1970) approach on archetypes and collective unconsciousness as well as Jean Shinoda Bolen’s (2010) theories of feminine psychology based on Greek goddesses archetypes. 

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Biografia Autor

Maya Zalbidea Paniagua, Universidad Complutense de Madrid - España

Is Associate Professor at Complutense University of Madrid where she teaches “Introduction to Literary Texts in English Language” and “English Literature from 1800 to 1900” (From Gothic and Romantic to Victorian Fiction). She has worked in Elmcip project archiving collections of Electronic Literature and has published 15 publications about comparative literature, feminist studies and electronic literature. She is a member of Studies on Intermediality and Intercultural Mediation and is currently working in Aglaya Mythcriticism Project.

Referências

Anam, Choerul and Taufiqurrahman, Febri (2020): “The Appearance of Gender in the Main Characters in The Hunger Games (Gender Analysis)”. In: World Conference on Gender Studies, KnE Social Sciences, pp. 102–107. Available in: https://knepublishing.com/index.php/KnE-Social/article/view/7397 [27/02/2021].

Bolen Shinoda, Jean (2014): Artemis: The Indomitable Spirit in Everywoman. San Francisco: Coneri Press.

Bolen Shinoda, Jean (1984): Goddesses in Everywoman: Powerful Archetypes in Women's Lives. New York: Harpercollins.

Cixous, Hélène (1975): “The Laugh of the Medusa”. In: Feminisms: An Anthology of Literary Theory and Criticism, Houndmills: Macmillan Press.

Collins, Suzanne (2008): The Hunger Games. New York: Scholastic Press.

Everett, Sheila (2008): “Suzanne Collins Q & A conversation”. Interview by Sheila Marie Everett, Scholastic Inc. Available in: http://mediaroom.scholastic.com/files/Suzanne_Collins_Q&A_on_Letterhead_Mockingjay.pdf [27/02/2021].

Journal Psyche (1994-2018): “The Jungian Model of the Psyche”. Available in: http://journalpsyche.org/jungian-model-psyche/ [27/02/2021].

Janes, Linda (2003): “The Gendered Cyborg: A Reader”. In “Feminist Theory and Science Fiction”, edited by Veronica Hollinger, 92. Cambridge: Cambridge University Press.

Jung, Carl G. (2014): The Archetypes and the Collective Unconscious. Translated by R.F.C. Hull, London and New York: Routledge.

Lawrence, Francis (2012): The Hunger Games: Mockingjay-Part I, Film.

Lawrence, Francis (2015): The Hunger Games: Mockingjay-Part II, Film.

Saez Garrido, Ana (2017): “Discourses of Masculinity in Suzanne Collins’ The Hunger Games Trilogy: Defending The Alternative Man, Peeta Mellark”. Trabajo de Fin de Grado. Tutor: Sara Martín Alegre. June 2017. Available in: https://ddd.uab.cat/pub/tfg/2017/180064/Saez_Garrido_ANA_TFG_2016-2017.pdf [09/06/2021].

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Publicado

2021-06-29

Como Citar

Zalbidea Paniagua, M. (2021) «An archetypal analysis of Katniss Everdeen from The Hunger Games», Cuestiones de Género: de la igualdad y la diferencia, (16), pp. 270–280. doi: 10.18002/cg.v0i16.6932.

Edição

N.º 16 (2021): La agencia femenina en las narrativas audiovisuales

Secção

Monográfico

Licença

Direitos de Autor (c) 2021 Maya Del Puig Zalbidea Paniagua

Creative Commons License

Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0.

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