No. 15 (2016)

De Arte 15 (2016)

DOI: https://doi.org/10.18002/da.v0i15

Published: 2016-11-30

Artículos

Veiled artistic landscapes. The Romanesque sanctuary of the Sigüenza catedral and the likely spreading of its model

María Concepción Cosmen Alonso

7-32
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Visions facing the threshold: the iconographic discourse of the Romanesque portico of Rebolledo de la Torre

José Arturo Salgado Pantoja

33-48
- PDF (Español (España))
A foundation of Dona Maria de Silva and Toledo (1494-1544): The late Gothic work and the master of the monastery of Clarisse Nuns of Medinaceli

Raúl Romero Medina

49-62
- PDF (Español (España))
The power of the Blessed Sacrament: the iconography of the hosts in the 15th and 16th centuries.

Ana Cristina Sousa

63-77
- PDF
Flemish influences in the work of Joan de Joanes through the collections of Mencía de Mendoza

Alberto Ferrer Orts, Estefanía Ferrer del Río

78-95
- PDF (Español (España))
The image of the royal power across the royal chronicles printed in the XVIth century: The corpus of the Library of the University of Oviedo

Raquel Sáenz Pascual

96-111
- PDF (Español (España))
Sculptors of gold and Silver. About the appreciation of the art of silver work in 16th-century Spain

María Victoria Herráez Ortega

112-130
- PDF (Español (España))
The Triumph of the Eucharist in some prints of Spanish liturgics books of late 16th century and early 17th century

Juan Calvo Portela

131-149
- PDF (Español (España))
Exchange of gifts between european royalty and royal gifts for services rendered to the crown (1621-1640)

María del Carmen Heredia Moreno, Juana Hidalgo Ogáyar

150-167
- PDF (Español (España))
The entrance of Maria Anna of Neuburg in the Royal Palace of Madrid: an unpublished painting

Gloria Martínez Leiva

168-178
- PDF (Español (España))
At the Homage tower of the Alhambra palace. The prisoners’ graffiti between XVIII-XIX centuries.

José Ignacio Barrera Maturana

179-194
- PDF (Español (España))
Luis Salvador Carmona and the sculpture of St. Francis for the Venerable Third Order in Plasencia (Cáceres)

Vicente Méndez Hernán

195-207
- PDF (Español (España))
New reflections on the Antonio Primo’s sketchbook (1761-1764), a budding artist of the Real Academia de Bellas Artes de San Fernando of Madrid in Rome

Raquel Gallego García

208-223
- PDF (Español (España))
Behind the collector: influence and protagonism of Manuel Castellano on the photographic portrait’s development and conservation in Madrid

Stéphany Onfray

224-237
- PDF (Español (España))
The Section d’Or and Juan Gris: A way towards the spiritual Cubism

Iñigo Sarriugarte Gomez

238-251
- PDF (Español (España))
A general study of the arts and politics of Nepal during the XX century: Processes of transition and multicultural dialogue

Andrea, de la Rubia Gómez-Morán

252-264
- PDF (Español (España))
Life and myth: The experience of illness in the construction of artistic identity. Tàpies, Saura and Millares.

José Manuel García Perera

265-279
- PDF (Español (España))
Artworks of Arcadio Blasco in Extremadura (1955-1970)

Moisés Bazán de Huerta, Miguel Centellas Soler

280-298
- PDF (Español (España))
Artistic activism in the context of post flood. collective and cooperative proposals one year after 2A

Verónica Cecilia Capasso

299-309
- PDF (Español (España))
Plastic models or simulacrum of the flesh Technological processes in creating wax sculptures

Alicia Sánchez Ortiz, Paris Matia Martín

310-326
- PDF (Español (España))

Recensiones

Recensiones

María Dolores Teijeira Pablos

327-342
- PDF (Español (España))

No. 15 (2016)

Artículos

Veiled artistic landscapes. The Romanesque sanctuary of the Sigüenza catedral and the likely spreading of its model

Visions facing the threshold: the iconographic discourse of the Romanesque portico of Rebolledo de la Torre

A foundation of Dona Maria de Silva and Toledo (1494-1544): The late Gothic work and the master of the monastery of Clarisse Nuns of Medinaceli

The power of the Blessed Sacrament: the iconography of the hosts in the 15th and 16th centuries.

Flemish influences in the work of Joan de Joanes through the collections of Mencía de Mendoza

The image of the royal power across the royal chronicles printed in the XVIth century: The corpus of the Library of the University of Oviedo

Sculptors of gold and Silver. About the appreciation of the art of silver work in 16th-century Spain

The Triumph of the Eucharist in some prints of Spanish liturgics books of late 16th century and early 17th century

Exchange of gifts between european royalty and royal gifts for services rendered to the crown (1621-1640)

The entrance of Maria Anna of Neuburg in the Royal Palace of Madrid: an unpublished painting

At the Homage tower of the Alhambra palace. The prisoners’ graffiti between XVIII-XIX centuries.

Luis Salvador Carmona and the sculpture of St. Francis for the Venerable Third Order in Plasencia (Cáceres)

New reflections on the Antonio Primo’s sketchbook (1761-1764), a budding artist of the Real Academia de Bellas Artes de San Fernando of Madrid in Rome

Behind the collector: influence and protagonism of Manuel Castellano on the photographic portrait’s development and conservation in Madrid

The Section d’Or and Juan Gris: A way towards the spiritual Cubism

A general study of the arts and politics of Nepal during the XX century: Processes of transition and multicultural dialogue

Life and myth: The experience of illness in the construction of artistic identity. Tàpies, Saura and Millares.

Artworks of Arcadio Blasco in Extremadura (1955-1970)

Artistic activism in the context of post flood. collective and cooperative proposals one year after 2A

Plastic models or simulacrum of the flesh Technological processes in creating wax sculptures

Recensiones

Recensiones

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